Reviving Play: Documenting and Reviving Traditional Games of Bhaktapur

Partners: Let’s Play Initiative Nepal (LPIN), Zero One Studio, Krija Bajracharya

December 2024

In collaboration with Bhaktapur Municipality, Bal Vikas English Secondary School and Laxmi Cares

This outreach project in Bhaktapur, Nepal, documented and revived traditional games through collaborations with Heritage as Placemaking, Bhaktapur Municipality, Bal Vikas English Secondary School, and Laxmi Cares of Laxmi Sunrise Bank. In partnership with Zero One Studio and illustrator Krija Bajracharya, the team developed visual documentation, tutorial videos, awareness videos, and a comprehensive game manual and curriculum. Activities included a five-day presence at Bhaktapur Mahotsav, a winter camp for schoolchildren, parent engagement sessions, and citywide outreach through the Orange Vibe event. The project trained facilitators, promoted gender-inclusive play, and presented findings at “The Annual Kathmandu Conference on Nepal and the Himalaya”, ensuring these games remain a living part of Bhaktapur’s cultural identity.

Looking ahead, the project plans to expand its impact through “Book-Free Fridays” in schools of Kathmandu Metropolitan, regular play-based sessions at the community, child-friendly space co-design, tactical urbanism pilots, and an open-source digital archive of traditional games.


Traditional games serve as a vital bridge connecting children to their cultural roots, teaching them the values, stories, and traditions of the past. Their simplicity and ease of access show that play and learning are things that everyone can do, no matter their social, cultural, or economic background (Maftuh & Ariesta, 2020).

However, with the rise of digital technologies, children are increasingly drawn toward online videos and games, often resulting in reduced social interaction and greater isolation (Kacar & Ayaz-Alkaya, 2022). The situation is getting worse because there are fewer safe places to play, as many traditional open spaces are becoming more crowded with parked vehicles (Space for play is being ‘designed-out’ of urban childhoods ). In Nepal, traditional settlements were historically designed to encourage communal activities, fostering social well-being through shared public spaces. Bhaktapur exemplifies this approach, with games traditionally played in courtyards (Chowk/Nani), temple complexes, rest houses (Pati/Falcha), platforms (Dabali), and under trees (Chautara).

Modernisation and digital gaming have led to the decline of these traditional games, date  their recognition in the National Sports Development Act-2077 (Rising Nepal Daily, 2022). Today, many traditional games are only played during festivals or as part of teacher led school activities. Some traditional games have already been lost to contemporary play culture due to a lack of documentation and a faint oral tradition tells of their prior existence; they cannot be recovered. Preserving these games is not only essential for cultural continuity but also provides children with opportunities for physical, social, emotional, and cognitive development.

Bhaktapur Mahotsav 2024: Bringing Traditional Play Back to Life

From December 13–17, 2024, the Let’s Play Initiative Nepal (LPIN) team participated in the Children’s Section of Bhaktapur Mahotsav. Our goal was to document, teach, and revive traditional games that have shaped generations, fostered friendships, and strengthened neighbourhoods.

We collaborated with four teachers; Rina Timila from Genuine English Secondary School, Rabina Duwal from Bal Vikas English Secondary School, Sunita Gosain from Khowpring English Academy and Sujata Shakya from Everest English Secondary School  to prepare a description of locally played games. We received assistance from heritage enthusiasts, municipal leader; Mr. Dipendra Prajapati, teachers, and the curriculum book Khwopa ko Pahichan. An estimated 2500 children from 94 different  schools visited our stall for five days, learning traditional and today not very commonly played games such as dori, guchcha, ghwai, baghchaal, and chungi. Many children tried the games on the spot and left eager to learn new ones and teach others. During the Mahotsav coin games, puzzles, and musical cushions were among the extra activities that kept children interested and we were able to introduce most students to games they had never played before.

Teachers and parents also reminisced about the games they played as children and frequently suggested that future school events be organised with similar themes.

Several teachers are discussing local variations and traditions of games at Bhaktapur Mahotsav. Photo Courtesy of LPIN. Photograph by: Rojita Sharma

Let’s Play volunteer and a child from Bhaktapur are playing the Baghchal game. Photo Courtesy of LPIN. Photograph by : Rojita Sharma

Winter Camp at Bal Vikash English Secondary School: Play and family bonding

We participated in a five-day winter camp at Bal Vikash English Secondary School on January 7, 2025 which involved play-based activities for the entire day for students in upper kindergarten through fifth grade. Even in games that are typically thought of as "for the other gender," boys and girls equally participated in the enthusiastic learning and playing of guchcha, dori, ghwai, and chungi. A special gatti session was conducted with an emphasis on hand-eye coordination, as many children initially struggled to safely catch the stone.

Kids and teachers learning to play guchcha (marble game). Photo Courtesy of Zero One Studio. Photograph by: Susan Machamasi

An interactive session with parents and guardians at Winter Camp. Photo Courtesy of LPIN. Photograph by: Susan Chakradhar

On the final day, we facilitated an open discussion with parents and guardians to gather their views on play and learning. Parents highlighted the importance of play-based and nature-based approaches, the revival of traditional and sensory games to boost cognitive development, and the significance of playing with children to strengthen family bonds.

Further research, a meeting with the author of ‘ Jhigu Kasa’, a book of traditional games

We met Mr Panna Ratna Maharjan, the author of Jhigu Kasa, at his home to gain deeper insights into the games featured in his book. He urged us to develop a digital platform to make these games more accessible to younger generations. As a key stakeholder, Mr Maharjan was instrumental in helping us revisit oral stories and improve the narratives used in documenting the games.

Training the Trainers

Learning the Kasimala Pya game with the help of a school teacher also a heritage enthusiast, Sabin Duwal. Photo Courtesy of LPIN. Photograph by: Rojita Sharma

We held an informal training session on Kasimala Pya and Baghchal at a local café, led by a teacher from Khwopa ko Pahichan, in order to maintain the revival of traditional games. This approach encourages intergenerational learning by enabling skilled facilitators to teach games at public gatherings, winter camps, and schools.

Orange Vibe Outreach: A Citywide Celebration

An interaction between kids and parents while playing gatti. Photo Courtesy of LPIN. Photograph by: Rojita Sharma

We expanded our outreach to the Orange Vibe event on April 25th, 2025, hosted by Laxmi Cares, a social initiative of Laxmi Sunrise Bank. Over five hundred children  and parents from diverse backgrounds participated, learning about the nearly forgotten traditional games of Bhaktapur. Parents were eager to reintroduce children’s play in the city's natural terrain.

Kids playing Ghwai in the courtyard of Bode. Photo Courtesy of LPIN. Photograph by: Rojita Sharma

Presented the  findings of the’Let’s play’ outreach project at “The annual Kathmandu conference on Nepal and the Himalaya. Photo by: Suji Hyongo

We developed a handbook for kids and teachers as a curriculum resource and hands-on learning guide for Khwopa ko Pahichan to ensure a lasting impact of the project. The handbook supports Kathmandu Metropolitan City's "Book-Free Friday" initiative by providing a teaching tool for schools, aiming to empower the next generation of players. The handbook teaches skills and knowledge to continue playing these traditional games. Additionally, we created a playkit in a playbag that includes all items and instructions to play six games. The playbags also hold QR codes linking to our tutorial videos for additional learning.

Looking Ahead

The excitement we witnessed among children, parents, and teachers shows that Bhaktapur’s rich tradition of play is now being preserved and actively lived once again. Our next steps include expanding to reach out to more schools with the program. We plan to secure more funds and organise community-led play events. With a fully developed tool kit, a website and with a lot more experience, we are now in the position to collaborate with further municipalities and NGOs to incorporate traditional games into regular classroom instruction in many more places across the Kathmandu Valley and hopefully one day beyond..

We want to express our gratitude to all the schools, children, parents, who participated in this programme and to all community members who gave their time. Alongside the passionate volunteers and numerous local educators who embraced the spirit of play, special thanks are extended to  Krija Bajracharya from Bhaktapur Municipality, Bal Vikas English Secondary School, Zero One Studio, and Laxmi Cares of Laxmi Sunrise Bank and Dr. Stefanie Lotter, PI of Heritage as Placemaking.

References

https://www.ucl.ac.uk/news/2025/sep/space-play-being-designed-out-urban-childhoods?utm. (n.d.). Space for play is being ‘designed-out’ of urban childhoods.

Kacar, D., & Ayaz-Alkaya, S. (October 2022). The effect of traditional children's games on internet addiction, social skills and stress level. National Library of Medicine.

Maftuh, B., & Ariesta, F. W. (June 2020). Traditional Games as a Multicultural Education Planning for Children in Primary Schools. Jurnal Inovasi Pendidikan Dasar.

The Mithila Murals Project

Partners: Dr. Sabin Ninglekhu, Dr. Sasanka Perera, Dr. Pooja Kalita, Sapana Sanjeevanai

December 2024

In December 2024, HaP principal investigators, Dr. Sabin Ninglekhu and Dr. Sasanka Perera, along with research fellow Dr. Pooja Kalita co-organized an outreach program with Sapana Sanjeevani, one of the founding members of PayalSapanaPaints, a Nepal-based feminist art collective. This project spanning over two days from the 8th to 10th December brought together 10 Mithila and Madhubani art practitioners from different districts around the Mithila region in Nepal and India. The residential workshops were held at the Cultural Village in Janakpur. After the workshop the women-led group of artists also collaborated in a placemaking project where they painted the walls of the Janakpur Railway Station, which is also the station that connects India and Nepal.

Centrally the workshop was able to address a crucial impasse one ongoing reluctance among the younger generation to take up this art form. And secondly the challenge of bringing in newer themes. For example its confinement to religious themes, has resulted in the “over-dependence on monotonous forms to meet the market needs or is under the direct appropriation of institutionalized politics or religion or a combination of the two”. In this workshop the artists tried to address these problems and to create a space for personal narratives and collaborative work.

Below are impressions from their workshop alongside snippets from a report detailing the Mithila Murals Project.


PayalSapanaPaints

Artists at work. Photo: Sabin Ninglekhu

PayalSapanaPaints, is a Nepal-based feminist art collective. Sapana’s deep reservoir of knowledge, ideas and insights rooted in the lived everyday circumstances provided us the intellectual and creative direction in putting the outreach program together. Sapana is a practicing Mithila artist and is quite well-known in Nepal for experimenting with the art form as a political narrative inspired by personal subjectivities of womanhood, or more specifically Madhesi womanhood rooted in the Mithila heritage. Sapana also comes from a family of Mithila artists – her mother and her aunt, her mother’s sister who is no more, are considered pioneers in the art form, who have inspired other artists that helped put together the Janakpur Women Development Centre – a collective of Mithila artists


Well known Mithila artists like Sita Devi, Ganga Devi, Pano Das, Revati Mandal have been able to represent their own everyday circumstances through the interpretation of personal stories in their art and are well recognized for this ... The aim of this outreach was to bring artists from different backgrounds 4 along the lines of caste, region, ethnicity as well as different districts of the Mithila region in both India and Nepal to help break the monotony of repetitive themes and motifs and explore together, with a sense of community, various themes that are relatable to the artists vis-à-vis their personal stories.
December 8th and 9th 2024 were focused on mural painting by the artists, a first in the history of the city of Janakpur given the mixture of artists representing geographic, caste and cultural diversity in general. With critical attention to the socio-cultural locations of the artists, we used the outreach also as an opportunity to ignite public conversations around caste-based and place-based narratives that dominate the art form, and the necessity to challenge this domination for the creative, and at times even radical, growth of the art form.
A first of its kind, the women-led mural painting project was able to incite dialogue between the artists and the public, in the short and long term, and in ways that are direct and indirect, particularly around culture, religion and patriarchy as they intersect with gender and sexuality, and in the process, added to Janakpur’s placemaking.
We felt from the inception that painting the wall served many purposes. This is why we envisioned this project in the first place. The very act of ‘doing’ art collectively and in public space along with the legacy that follows in the form of the murals on the walls of an iconic heritage site of a religious town such as Janakpur, is symbolic to us, in bringing a form of art and the artists hitherto not taken too seriously by the state, into the public domain and closer to public attention. Such a collaborative act also reframes the state-society relationship, with women as protagonists, beyond borders. To note, it is the railway station that connects Nepal with India.
We believe strongly that through the space we co-created through the outreach, the artists were able to mobilize their agentive capacity to interpret and articulate art rooted both in the fixed nature of traditional forms and the mutating everyday life. In this sense, of followed through by them and others, this effort will mark the beginning of an epistemic break in Mitila and Madhubani art.

PayalSapanaPaints also co-hosted HaP’s 2024 Winter School, read the blog posts here.